An archive you can actually clear.
When the archive opens, every frame our crews file will be licensable with its provenance attached. No stringer marketplaces, no mystery rights, no frame you cannot trace.
The ARX TV archive will be shot entirely by our own credited crews. We do not aggregate, we do not scrape, and we do not resell footage we cannot vouch for. That means the rights are ours to grant, cleanly, in writing, without a chain of intermediaries between you and the person who pressed record.
Every license will ship with the footage itself and its full record: the operator's name, the coordinates, the timestamp, and the chain of custody back to the card it was recorded on. If your standards desk asks where a clip came from, you will have the answer in the delivery, not in a follow-up email.
Three ways to license, one standard behind all of them.
Single clip
One clip, cleared for your story. Delivered as broadcast masters with the verification metadata attached, so what airs is exactly what was filed.
Story bundle
Everything we filed on one story, licensed together. The full record from a single event or assignment, so you can cut your own edit from the same material we cut ours from.
Standing desk
Ongoing access for newsrooms that want the archive on tap. One agreement, and the footage our crews file is available to your desk as it comes in.
Pricing and full terms will be published when the archive opens, and early access goes to newsrooms on the list. If you want your desk in that first group, tell us who you are.
Get your newsroom in first.
Terms, rates, and the archive itself open to the early-access list before anyone else. Tell us what you cover and we will take it from there.